Creative BackStage Prevails Over Elements At Zozobra With CHAUVET Professional

Posted on September 7, 2018

Photo: John Garberson

SANTA FE – An annual tradition since the early 20th century, the burning of Zozobra during the Fiestas de Santa Fe is said to make all concerns and worries go up in smoke, giving everyone a fresh new start. “Zozobra is all about burning gloom away,” said John Garberson of Creative BackStage, which lit the August 31st ceremony at Santa Fe’s Fort Marcy Ballpark and Magers Field with help from CHAUVET Professional Maverick and Rogue fixtures.

This year, however, there was also plenty of gloom in the skies. Severe thunderstorms pounded Santa Fe during the hot late summer evening, forcing organizers to move the burning of the 50’ high marionette effigy up by 15 minutes during a clearing between two storm cells. Still, “old man gloom,” dressed in 1960s hippie garb, went up in flames over a half-hour period before the 62,460 who had gathered in the park.

The inclement weather notwithstanding, the crowd got to enjoy not only the Zozobra burning, but a 40-minute ceremony that featured a fire dancer, ghouls, fire people with arrows and assorted other characters. Like the actual burning of Zozobra, this entire spectacle was accented with appropriately intense colors (often varieties of red and dark purples) created by 10 Maverick MK2 Spot and 24 Rogue R2 Wash fixtures.

Garberson and his team, programmer Andrew Latimer and tech assistant Wes Webb, arranged the moving fixtures on 4’ high road cases that were spread 10’ apart on the stage. Each case had two Rogue units and one Maverick fixture. At each end of this line, there were two Rogue R2 Washes on 5’ truss for side lighting.

“This is really a totally visual event, so lighting obviously plays a key role,” said Garberson. “Getting the right colors was extremely important. Given that this event is focused on a fire, red was one of our dominant colors, but we didn’t want to make this one-dimensional. Since there is an element of the supernatural to this event, we also wanted to create some eerie looks. We did this very effectively by lighting the ghouls in shades of purple. We were able to focus our lights to create some scary shadows too.”

Being called upon to light a stage that spread out 150’ in width, Garberson appreciated the output and speed of his Maverick and Rogue fixtures. “We had performers going up and down the steps of the stage and had no trouble covering them with light,” he said. “Our lightshow stood out and had an impact on the crowd.”

That was no small accomplishment, considering that Garberson and his team had to compete against some pretty dramatic effects from Mother Nature.

Photo: John Garberson